SPL GainStation 1 - Single channel high-end mic & instrument preamplifier.

• Frequency response: ‹1Hz-125kHz (Clean Gain 30dB, Tube Gain off, output level 0dB, +/- 0.5dB)
• Frequency response: ‹1Hz-310kHz (Clean Gain 30dB, Tube Gain off, output level 0dB, +/- 3dB)
• Frequency response: ‹1Hz-125kHz (Clean Gain 30dB, Tube Gain 1dB, output level 0dB, +/- 0.5dB)
• THD+N: 0.0005% (Clean Gain 24dB, Tube Gain off, output level +6dB, 20-22kHz, +25dBu out)
• THD+N: 0.032% (Clean Gain 23dB, Tube Gain 1dB, output level +6dB, 20-22kHz, +25dBu out)
• Noise: -95.4dBu (Clean Gain 10dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted)
• EIN: 127.2dB (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted, 40Ohm)
• Dynamic response: ›130dB (20-22kHz, A-weighted)
• Common Mode Rejection: ›80dB (Clean Gain 30dB, Tube Gain off, 1kHz, Input -30dBu, output level 0, w/o transformer)
• Maximum Output Level: +34dBu
• Phantom power: 48V +/-2V

Modern audio production relies increasingly on digital systems for recording and mixing processes (DAW's, digital consoles etc.). But still digital systems do not offer the same audio qualities and sound characteristics of high-end analog equipment. Especially digital equalizers and other aspects of the mixing domain cannot compete with the open, transparent sound of the best analog gear. So today more than ever, your input signal has to sound as good as possible—the quality of your original tracks will largely define the end result.
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Por solo:USD$1.299.00
(nuevo)

SPL GainStation 8 - 8-channel high-end mic & instrument preamplifier, 2U Rack

• Frequency response: ‹1Hz-125kHz (Clean Gain 30dB, Tube Gain off, output level 0dB, +/- 0.5dB)
• Frequency response: ‹1Hz-310kHz (Clean Gain 30dB, Tube Gain off, output level 0dB, +/- 3dB)
• Frequency response: ‹1Hz-125kHz (Clean Gain 30dB, Tube Gain 1dB, output level 0dB, +/- 0.5dB)
• THD+N: 0.0005% (Clean Gain 24dB, Tube Gain off, output level +6dB, 20-22kHz, +25dBu out)
• THD+N: 0.032% (Clean Gain 23dB, Tube Gain 1dB, output level +6dB, 20-22kHz, +25dBu out)
• Noise: -95.4dBu (Clean Gain 10dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted)
• EIN: 127.2dB (Clean Gain 60dB, Tube Gain off, output level 0dB, 20-22kHz, A-weighted, 40Ohm)
• Dynamic response: ›130dB (20-22kHz, A-weighted)
• Common Mode Rejection: ›80dB (Clean Gain 30dB, Tube Gain off, 1kHz, Input -30dBu, output level 0, w/o transformer)
• Maximum Output Level: +34dBu
• Phantom power: 48V +/-2V

Modern audio production relies increasingly on digital systems for recording and mixing processes (DAW's, digital consoles etc.). But still digital systems do not offer the same audio qualities and sound characteristics of high-end analog equipment. Especially digital equalizers and other aspects of the mixing domain cannot compete with the open, transparent sound of the best analog gear. So today more than ever, your input signal has to sound as good as possible—the quality of your original tracks will largely define the end result.
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Por solo:USD$7.199.00
(nuevo)

SPL GoldMike mkII - Discrete dual channel mic & instrument preamplifier, Class-A and tube amplification

• Discrete Class A solid stage
• Tube drive in three different intensity levels
• Flair presence enhancement in two switchable settings
• Switching inserts
• Pre-output limiter stage (extremely fast diode-based operation, perfect for A/D converter protection)
• VU metering with three different, switchable display ranges
• Front panel instrument input, separate rear-side microphone and line inputs
• Phantom power, phase reverse, pad and high-pass filter (50Hz)

Like its successful predecessor, the GoldMike Mark2 retains a hybrid solid state and tube construction to combine the best of both worlds.
The transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. You will not find any IC’s in this preamplifier stage because they cannot be optimized for this specific application to the degree we aimed for.
This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.
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Por solo:USD$1.499.00
(nuevo)

SPL Atmos 2 -High-end 5.1 surround microphone preamplifier

• 5-Channel Preamplifier Control - The central, 5-layer gain control allows for adjusting preamplification values
between 18 and 72 dB. It controls all channels simultaneously.
• Switches: HP and PAD The PAD switch reduces input level by -25 dBu. The HP switch activates a high pass
filter at 70 Hz, e.g. to eliminate subsonic frequencies.
• For recordings of the preamplified signals recording devices like a multitrack recorder can be connected either to the • • XLR or DB 25 outputs.
• LFE Level control
• The LFE signal is composed from all channels automatically. Frequency is fixed at 80 Hz, you can simply set the level with the LFE level control (-32 to 0 dB).
• PPM Meters
• The PPM meters display the levels at the output of each bus. Values range between
-48 dBu und +9 dBu and are displayed in steps of 3 dB.

The Atmos is a fully-featured stand-alone surround miking preamp for surround productions in any known format. The Atmos system operates fully analog to ensure independence from any storage or transmission format. The Atmos is equipped with five matched high precision microphone preamps featuring SPL‘s triple gain stages to capture the superb sound of Brauner‘s mic array microphone in the most transparent, noiseless and uncoloured way. The microphone preamps also feature SPL‘s ServoDrive-Technology which detects voltage differences (DC-offset) between the positive and negative paths of the amplifying stages. Any offset increases noise and distortion and therefore compromises the signal quality. ServoDrive minimizes DC-offsets to values between 0mV and 2mV.
The recorded signal contains less noise and distortion and improved tonal transparency
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Por solo:USD$8.099.00
(nuevo)

SPL FRONTLINER 2009 -Channel strip: discrete Class-A tube mic & instru.preamp, de-esser, compressor, limiter, EQ, tube saturation

• Three separate, individually optimized inputs for microphones, line signals and instruments.
• Discrete semiconductor/tube hybrid preamplifier to combine the advantages
• 250 volts tube circuits in the preamplifier and for tube saturation stages
• High-grade operational amplifiers from Burr-Brown at critical positions
• The SPL De-Esser applies the method of phase cancellation for reducing sibilants
• The compressor is operated by SPL’s double VCA drive circuitry
• The operational amplifiers for the compressor circuitry meet military specifications.
• Selected condensers for the EQ filters with pleasant sound characteristics, specially with vocals
• Central star ground wiring scheme minimizes influences that could affect the ground paths.
• The power supply is built around two toroidal transformers, one for the audio voltages and

The Frontliner comprises a hybrid semiconductor/tube preamplifier with microphone, line and instrument input, a de-esser, a compressor/limiter and an EQ section with tube saturation stage. In addition to its primary function as a recording channel with all tools onboard to process a signal prior to storing, its modules can also serve for high-end
analog processing during mixing.
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Por solo:USD$1.935.00
(nuevo)